a5c7b9f00b Robert Emmett Tansey never wrote a plot he didn't get at least five versions out of over a period of 15 years or so, and this one is no exception with "Arizona Days" and "Harmony Trail" among the remakes. Government agent John Wyatt is searching for a counterfeit ring operating on the Mexican/Arizona border and joins Doc Carter's traveling medicine showa sharpshooter. Since Carter was recently released from prison, Wyatt is keeping one eye on him and both eyes on his daughter Linda who performs"Natasha" in John's shooting act. But Doc is searching for the former partner who framed him with the counterfeiting charges that unjustly sent him to prison. That man was Curly Joe Gale just up the road a piece in Los Piedros. Gale frames Wyatt and while he is escaping from the sheriff, Gale abducts Doc and Linda. Wyatt eludes the posse and crosses the border to get extradition rights from the Mexican Rurales Captain. The Captain has had his own man, Miguel, watching Gale and he promises Wyatt his government's support.Wyatt is mistakenly arrested by Mexican law officers while Gale heads for the Old Paradise Mine where he has the Carters prisoners. Will Wyatt get free again and arrive in time to save the Carters?
Sent to find counterfeiters, John Wyatt joins Doc Carter's medicine show. They arrive in the town where Curly Joe runs his counterfeiting operation. Carter was once framed by Curly Joe and Curly Joe tries to get rid of him. But John foils his attempts and learning Curly Joe is the counterfeiter, goes after him.
John Wayne grewa screen performer during his days starring at the cheapo production company Lone Star. It's a shame the last film he made there turned out one of the worst.<br/><br/>Government agent John Wyatt (Wayne) is sent on a mission to find a pair of suspected counterfeiters. One, Doc Carter (Earle Hodgins) runs a travelling medicine show selling gussied-up hard liquora "Famous Indian Remedy." The other, Curly Joe Gale (Yakima Canutt), is hiding out in Mexico, where he runs his illegal trade. The government suspects the two may still be in cahoots.<br/><br/>"Well, that's a new one for me," Wyatt tells his boss. "Looks like I'm going to have to join a medicine show."<br/><br/>It's the one new wrinkle on what by now had become the Wayne formula at Lone Star. Once again he has a secret identity, once again he will meet a charming girl to bond with (Marion BurnsDoc's daughter Linda) and once again he will butt heads with Canutt when the crook crosses paths with his less crooked partner Doc and decides to get him out of the way for good.<br/><br/>Director Carl L. Pierson may not be Wayne's regular helmer at Lone Star, Robert N. Bradbury, but he employs the same kind of flat storytelling devices and obvious padding. The film begins with Wyatt riding up to a town and discovering Doc Carter just rolled out under a cloud of community suspicion. The routine is repeated twice more before Wyatt finally links up with Doc and joins the show.<br/><br/>An assortment of time-killing devices follow, including a lengthy section where Doc delivers his spiel, introduces a pair of guitar- playing singers who perform a couple of songs, then turns things over to his new attraction, "Cowboy John," who shoots targets around Linda. This amounts to a successful courting ritual for Wyatt, leaving us to wonder what kind of father lets a stranger fire bullets an inch from his daughter's head.<br/><br/>A drunk one, I guess. Much of the humor involves how Doc Carter is his own best customer. In between pulls from the bottle, his tedious spiels suck away whatever passes for energy. As John W Chance points out in another review here, you get the feeling Pierson thought Hodgins was going to be in pictures long after the world forgot about this Wayne guy.<br/><br/>There's also Canuttthe bad guy, a legendary stuntman who was no actor. The film has him try to bribe Wyatt to make Doc leave town, then resort to lame threats when Wyatt refuses.<br/><br/>"Alright, stranger, then I'll deal from the bottom of the deck," Curly Joe replies in his flat, wheedling voice. "You and that show be out of town tonight, or I'll be there looking for you." Eventually the criminal mastermind settles on having his henchmen take Doc and Linda to a cave where he can laugh and wait for Wyatt to show up before shooting them.<br/><br/>There's also a number of needlessly cruel horse falls that punctuate long chase scenes. All of this is by-the-numbers Lone Star time kill, and hopefully fed some hungry dogs better than it does our need for excitement.<br/><br/>The most disappointing thing about this film is Wayne himself. While he managed to show some real talent in his Lone Star work, here he's very clearly going through the motions and watching the clock. With such a dull supporting cast and a lame story, you can't blame him. Maybe he was thrown playing love scenes with an actress who had the same first name he did.<br/><br/>Wayne's Lone Star films have some good moments, and at least one film worth recommending on its own merits, "Sagebrush Trail." Unfortunately, this one only shows why they called it "Poverty Row."
John Wayne's sixteenth and final picture for Lone Star Films was the only one directed by Carl L. Pierson. In the story, Wayne's character John Wyatt joins a traveling medicine show to expose a band of counterfeiters; one suspects that the phony money men might be part of Doc Carter's (Earl Hodgins) bunch. Instead, it's a crew run by Curly Joe Gale (Yakima Canutt), who was once the Doc's partner before Carter got busted for the counterfeit scheme.<br/><br/>You'll get a kick out of the coach at the center of 'Carter's Greater Medicine Show', I can just picture similar get ups heading from town to town to ply the local rubes. Carter has a pretty but naive young daughter Linda (Marion Burns), who doubles in the showPrincess Natasha. However the entire affair is pretty much a vehicle for selling 'Doc Carter's Famous Indian Remedy', and at ninety percent alcohol, it's pretty potent stuff.<br/><br/>As for the real bad guys, government agent Wyatt eventually gets the drop on Curly Joe, with a posse of Mexican rurales chasing down Curly's gang in the finale. It's all wrapped up quickly in just about fifty three minutes, perhaps the shortest of all the Lone Star pictures.<br/><br/>Having now seen all of the Lone Star's, a quick recap reveals that stunt man extraordinaire Yakima Canutt appeared on screen in twelve of the sixteen films in various roles, sometimesJohn Wayne's sidekick and oftena henchman. On three occasions,in this film, he portrayed the main villain. The others were "Sagebrush Trail" and "'Neath Arizona Skies". Even though he didn't appear in "Paradise Canyon", George Hayes showed up in eleven Lone Star's; back then he wasn't known'Gabby' yet. Earl Dwire tied Hayes with the same number of roles, however he was one up on Hayes with an uncredited bit partan Arizona sheriff in this one, but you'll really have to keep your eyes peeled to spot him.<br/><br/>All of Wayne's Lone Star films were filmed between 1933 and 1935, and are quite easily available today, most if not all in the public domain. They can be had rather inexpensively, either alone or in compilations, and they're a great way to see one of movie's greatest stars before he became a household name. Your first viewing will probably give you the same impression I had, marveling at how young and handsome Wayne appeared while learning his craft. By the time of his breakout characterizationthe Ringo Kid in John Ford's "Stagecoach", Wayne had appeared in a little over fifty films, starring in most, while patiently awaiting the role that would make him an overnight success.


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